
Unfixed: Photography and Decolonial Imagination in West Africa. Durham, NC: Duke University Press, 2020. Reviewed by Gabriella Nugent, in African Arts. Winter 2021. Reviewed by Haythem Guesmi, in Africa Today. Winter 2021. Reviewed by Jürg Schneider, in The Art Bulletin. December 1, 2021. Featured book interview by Elisa Dainelli, in Urbanautica: Journal of Visual Anthropology … Continue reading Unfixed: Photography and Decolonial Imagination in West Africa

Mow 504, Monnaie de singe, 2021. Digital photomontage, dimensions variable. © Mow 504. Image courtesy of the artist. “This Past Must Address Its Future: Uses of African Non-Contemporaneity in Contemporary Art from the French Borderscape.” ARTMargins, special issue on “Art History, Postcolonialism, and the Global Turn,” ed. Joshua Cohen, Foad Torshizi, and Vazira Zamindar (forthcoming, … Continue reading Forthcoming in ARTMargins: Contemporary Art from the French Borderscape

Collaboration with Erin Haney. During the 8th edition (2009) of the Rencontres de Bamako: Biennale africaine de la photographie, we interviewed photographers, curators, museum directors, biennial sponsors, and students and workers in local arts institutions to assess the biennial’s contribution to institutions for photography on the African continent. Our research was published in the form … Continue reading Rencontres de Bamako 2009 (8e édition)